Spring-Summer 2012 Bella Collection

I’ve talked about it, fretted over it, put pieces in, taken pieces out, and now, finally, it’s done. I’m pleased and proud to introduce the Spring-Summer 2012 Bella Collection!

This collection has something for everyone, bold colors and soft colors, luxurious texture, marbled and printed papers, and of course, all cotton base cards and envelopes.

For the first time, this collection will be sold in single units allowing you to curate your own sets! Each card is unique because of the handmade papers used. No two cards will ever be exactly alike.

I’m so excited to share this collection!

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What a Nice Stack

In researching dream desks for my office, I stumbled across something nothing short of amazing. Since my childhood, I’ve been a huge lover of books. I spent many days in the libraries at my schools and my local neighborhood library (Nix on Carrollton Avenue, by the way). One of my personal saddest moments from Hurricane Katrina was returning back to my home to see all of my books destroyed. I love love love books and think the use of recyled books to create a sculptural architectural element is completely GENIUS.

Seriously, how awesome is this?

Information desk at the Tu Delft Architecture Library in Delft, The Netherlands

I can’t imagine how difficult it must have been to match each book like a jig-saw puzzle to ensure the stability needed for the entire desk to be structurally sound. It’s the information desk so it has to be able to stand up to daily abuse from library patrons and workers.

stunningly cool

The ONLY thing I would change is to have some of the books arranged with the spines outward. Although, I do love how the the arrangement resembles subway tiles from a distance.

I think it resembles subway tiles.

In the end, I don’t believe I’ll be recreating this desk for myself. However, it has given me food for thought on how I can be more creative with incorporating books into my decor.

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Spring and Summer Sneak Preview

I’m so excited to finally reveal a glimpse of the latest designs for the Bella Collection. The new additions will be available in the shop beginning next week and for the FIRST TIME EVER, you’ll be able to order individual cards to curate your own set! I’m so excited and hope you are too.

Sneak Preview Spring & Summer 2012

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An “Unforgettable” Experience

A few months ago, a lovely woman I met on twitter asked me to design a set of notes to be used after a concert featuring Ms. Natalie Cole and the Baton Rouge Symphony Orchestra to thank all of the benefactors and special people whose hard work made the show a reality. I was incredibly honored to be asked and I’m so incredibly proud that Mrs. Tate loves the finished product. Now I want to share with you the process we took to get there. I’ve written posts before about my creative process but here’s a chance for you to see it in action.

Mrs. Tate allowed me a lot of latitude in working out the design but she asked that I draw inspiration from the event flyer.

From this flyer, I chose to focus on the metallic feel and the red of Ms. Cole’s lipstick and dress to accent. After consideration, I developed this first mood board.

moodboard created using Olioboard

As you can see, this board provided several options for envelope color, liners and note paper styles. The reaction to this initial board allows me to have the best information to narrow down the final pieces.

We moved on to the the second moodboard based upon the feedback from the first.

Board created using Olioboard

In this incarnation, you can see that we decided to go with the light chartreuse envelope and red metallic paper liner. The card has shifted from a folded note to a flat note. We were still making decisions as to whether we’d go with a linen or cotton note. On this board, I included an image of Coral Reef from the Bella Collection to show how a lined envelope and flat cotton card would look.

For the final moodboard, we decided to take a different look at the envelope liners before the final selection. We’re moving closer with the chartreuse envelopes finalized. Despite the board representation, we did stick with flat notes instead of folded.

created by Olioboard

And finally, in the end, the final product . . .

I absolutely love the end result. One of my biggest concerns was to marry green and red without it reading Christmas. I believe I have been successful. It’s a sophisticated color combination and using the chartreuse makes it perfect for spring!

The screenprinted Japanese chiyogami paper lined envelopes paired with Italian cotton note cards are so beautifully textured as to make me swoon with delight. As I stated in my reasons for lining envelopes, I believe that stationery should be as beautiful to hold in the hands as it is to look at. It should excite the sense of touch and and sense of sight in order to ignite the soul of the receiver. I believe stationery ultimately is a vessel to carry gratitude, to carry love, to carry joy and it should reflect that in order to honor that.

I am so incredibly grateful for the opportunity to create this stationery. And I’m so over-the-moon happy that Mrs. Tate informed me this afternoon that she was, at that moment,  writing a thank you note directly to Ms. Cole on MY STATIONERY. It’s not because Natalie Cole is a celebrity; instead, it is because I spent many Saturday afternoons when I was a kid playing her records in my living room, singing loud and finding joy. It warms my heart to know that through following my passion, I was able to create stationery that will be given to someone who was such a lovely part of my growing up without her even knowing my name.

And that little coincidence of fate, made possible because I chose to follow my dreams, makes this project one Unforgettable experience.

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The Obliteration Room

Sometimes an idea is so profound in its simplicity as to be nothing short of genius. It’s definitely a smack the forehead, why didn’t I think of this, moment. Recently I learned of an art installation called “The Obliteration Room” held at the Queensland Art Gallery in Queensland, Australia by the internationally renowned artist Yayoi Kusama.

The artist created this stark space

{image courtesy of the Queensland Art Gallery}

{image courtesy Queensland Art Gallery}

provided children with stickers

{image courtesy HeyBubbles}

and after two weeks ended up with this . . .

{image courtesy of Yayoi Kusama}

then this . . .

{image courtest Stuart Addelsee via Colossal}

and this . . . awesome!

{image courtesy of Colossal}

I love the interactive nature of this art installation. It is amazing to see this stark white space explode with color all due to the imagination and frenetic energy of thousands of stickers and two weeks worth of children coming through. It’s such a simple yet stunningly genius idea to involve the children in the creation of the art. It literally changes with every sticker placed, making every child an artist affecting the overall installation. It also makes a great idea for use in kids’ rooms. Use basic furniture and let them create their own space with stickers and color.

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Why I Line . . . 4 Reasons to Line Envelopes

I have always loved a pretty lined envelope. My work, in the Bella Collection and for private clients, usually centers on them. I think they’re lovely and beautiful but rarely have I discussed the actual pragmatic function for them. So here goes…

Why I line…

1. Security

A lined envelope provides an extra layer of security for the written note. Envelopes, depending upon the type of paper used, can be thin and easily read through with minimal effort. Lining the envelope makes it more difficult to read the note inside without opening the envelope.

2. Weight

An envelope, especially a high-quality envelope, that is enhanced with a liner will feel more substantial in the hand once the note is inserted and envelope sealed. The weighted envelope feels more important and prominent to the receiver thereby adding to the overall experience of receiving a handwritten note.

3. Texture

I love using liners to add either visual or tactile texture to the envelope. There’s nothing like a smooth cotton envelope lined with a handmade recycled cotton paper. It feels good in the hand and makes the note feel like the gift that it ultimately is. Visual texture is also important as it adds interest and keeps the receiver engaged with the stationery.

4. It’s Just Pretty

That’s right. A good envelope with a pretty liner is just pretty. And who doesn’t love getting something pretty from someone they love?

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Keeping Keepsakes

Last night, I had a great conversation with a longtime friend and client who called to tell me she was writing her 4 year old daughter a letter on fancy Write Robinson stationery. Of course I was thrilled! Our conversation ran the gamut from the importance of connecting with your children through letter writing, to encouraging language skills, to creating memories, and settled on preserving memories. As her daughter is so young, it’s important to save these letters so that she can have a tangible reminder of her mother’s love and care for her as she moves forward in her life.

This conversation was a lot of fun and it caused me to contemplate further the idea of stylish ways to keep and preserve all the letters and note cards received over a lifetime (or just a very privileged childhood). Here are some of my suggestions for great letter storage solutions.

Option 1:

My first stop was Restoration Hardware to seek traditional storage options. These metal boxes are perfect and perfectly chic for storing keepsakes. They would keep the papers away from sunlight which is harmful to preserving letters and they look great in a modern or traditional decor.

Industrial Metal Office Storage {image courtesy Restoration Hardware}

Option 2:

I love these book boxes, also from Restoration Hardware. They also block light but are also a cool conversation piece or a special quirky gift if it will be used to save letters for a child, such as my friend’s young daughter.

Antiquarian Book Boxes {image courtesy of Restoration Hardware}

 Option 3:

When looking for suitable storage units, I combed through a lot of boxes, but none captured my heart like these simple linen hat boxes from Ikea. They are fabulous and I will definitely have to get some for myself!

Kvarnik Boxes {image courtesy of Ikea USA}

Option 4:

For those who love natural, zen aesthetic, these birch storage boxes fit the bill. Their compact design suits them well for fitting in perfectly on a bookshelf or on a dresser in an inconspicuous fashion.

Birch Storage Boxes {image courtesy CB2

Option 5:

Perhaps my favorite (and most economical if you go to a local store and ask the owner for empty ones which I’ve done before) is the cigar box. Cigar boxes are gorgeous works of art.   Regardless of your position on smoking, cigar manufacturers have maintained the tradition of highly decorated boxes to highlight the product. Some are solid wood and some are high grade particle board. All make a perfect choice for a really inexpensive (often free) option for long-term keepsake storage.

Assorted Cigar Boxes {image courtesy of Cigars International}

I hope you’ll agree that these five options are all suitable for keeping and storing letters and note cards. What do you think? Where do you keep your treasured love notes?

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The Master of Pen and Ink: Stephen Wiltshire

I recently learned of a fantastic London-based artist named Stephen Wiltshire. As when I first discovered Isabelle de Borchgrave, Stephen’s work blew my mind. Stephen Wiltshire is an man living with autism which was diagnosed at three years old. He did not learn to speak fully until age nine. His first teachers discovered his love of drawing and encouraged him to say words by taking his art supplies away forcing him to learn how to ask for them back. Hence, his first word was “paper.” Clearly, he is a kindred spirit of mine.  Stephen’s autism has been credited with his incredible photographic memory. His genius is that he is able to recreate a place or an city on paper after flying over it by helicopter just once. His talent is undeniable.

How amazing is this drawing of Hong Kong?

Hong Kong Skyline 2010 {image belongs to Stephen Wiltshire}

I have a Master’s degree in Urban Planning and have always been fascinated by and in love with cities and the built environment. My favorite classes were urban design (thank you Dr. Hedrick) because while we drew layouts for neighborhood subdivisions and shopping centers and downtown pocket parks, I always saw the art in in it. Creating an environment for people to aspire to become best of themselves is the goal of true urban designers and architects. Stephen Wiltshire’s work has such a reverence for the scale of cities. From his drawings of the city as a whole to specific corners or streetscapes, there is a reverence for the built environment.

I love how he captures New York from the air . . .

Central Park, New York {Image belongs to Stephen Wiltshire}

and from the street.

New York Street Scene with Fire Engines {image belongs to Stephen Wiltshire}

I can’t stress enough that Stephen draws from MEMORY! I couldn’t draw a picture of my bedroom from memory and I see it everyday. I hope you spend some time perusing Stephen’s work on his website. One little tidbit of info I loved learning about Stephen is that he prefers using Staedtler pens for his work. I wish I knew what kind of paper he prefers.

I’m such a fan now and hope to one day get one of his original pieces. Maybe I’ll start with a postcard!

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It’s my Birthday!!!

Happy Birthday Me!!

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The Art of the Note: A Collaboration

Two days ago, while making stationery for clients, I found myself oohing and aahing with every envelope and every card, falling in love with each one. As I was finishing the cards, I began to think about the art of stationery and the art of how beautiful paper becomes Write Robinson Couture. Last month, I wrote a guest post for my good friend over at D.Coop detailing my process for making stationery. I’d like to continue that conversation here.

I use marbled paper in the majority of my work. I love how beautiful and versatile it is. I especially love that every card and every envelope becomes its own one-of-kind work of art. I use handmarbled papers, not printed.  This distinction is important because if the papers were printed, then would be possible to recreate the same envelope liners and the same card liners ad infinitum. But when each sheet is handmarbled and then hand cut, reproduction is impossible.

Hand marbled bamboo paper

When making envelope liners, I never try to manipulate the paper. I let it be. To me, that’s  a major part of the art. Start with a beautiful sheet of paper, reverse it, then see what happens once the envelopes and card liners are cut.

Marbled Paper lined Envelopes

The collaboration part comes into play when the stationery reaches my clients’ hands. The client can mix and match to coordinate the card with the liner of their choice. Sometimes, I receive thank you notes from clients on my own stationery and I’m always excited to see how they put each set together.

Feel free to mix and match cards and envelopes.

As I mentioned earlier, the papers are handmarbled which also means a great diversity of color. I love that in the same batch of papers you can get some that appear deep and saturated with color, some with just a hint, and some that look like the most beautiful watercolor paintings.

Deeply saturated color and whisper light color from the same dye lot.

I also really love when papers have metallic inclusions. Usually the color disperses, but sometimes you get a portion of paper with a heavy swatch of metallic paint. Seriously, how gorgeous is this swath of gold?

The art of the note is also evident in the texture, of which I have always been an advocate. I believe that stationery is a sensual experience. It has to delight the eye and the hands. Just as I use marbled paper to delight the eye, I love using cotton paper to feel good in the hand.

Thick and soft paper feels so good in the hand

Ultimately my stationery design philosophy is to use the best materials I can, recreate them in the best way I can and then let the note-writer put their own stamp on it (pardon the pun) by mixing and matching notes and envelopes according to what pleases their own eye. That my friends is the continuum of the collaboration of stationery couture which flows from the marble artist, through me, to the note writer which creates an heirloom adorned with the most precious accessory, the handwriting and sentiments of the writer.

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